Creative developer with an enterprise background. Currently studying in Finland and building things I actually care about.
6 years building. 1.5+ commercial, with enterprise clients. Based in Lahti. Open to the right work.
Designer and developer at the intersection of aesthetics and engineering. I'm drawn to the moments where an interface stops being a tool and starts feeling like a conversation: the 20ms animation that changes everything, the hierarchy that guides without announcing itself.
Got into this before finishing high school. Worked with enterprise clients. Moved to Finland to study. Still building things that feel right, not just things that work.
Started at a programming-focused high school. Built small things, broke most of them, and kept going until frontend and design started feeling less like school, and more like the thing.
Joined the industry before finishing high school. While preparing for final exams, I was already shipping enterprise-ready code for biggest retailer in Poland. Still doing that now. Real codebases, real clients, and real stakes.
Moved to Finland to study. Now based in Lahti, balancing university, client work, and personal projects I care about. Built for the craft, not just the brief.
Interfaces and design systems. The hierarchy, the spacing, the part most people skip and everyone feels.
React, TypeScript, Next. From architecture down to the last pixel, built to last and built to ship.
The 20ms that makes a thing feel alive. Easing, timing, the difference between working and right.
001Solo frontend developer and UI designer on an AI-powered HR platform built for Jeronimo Martins. The full frontend layer: architecture, design system and every user-facing feature. Now in active use across the organisation.
view case study →A browser extension that replaces the student portal at a Finnish university — dashboard, study timeline, degree progress and registrations, all from scratch. Solo design and build.
002Pulled live from GitHub. Quality > quantity, but the receipts are fun.
Most of the work is invisible. The easing curve, the few milliseconds of delay, the way a thing settles instead of stops. You never notice it, you just trust the interface a little more.
Late night. Something good in the headphones, something half-finished in the editor. Both pulled live.
“Good software gets out of the way. You feel the result, never the machinery.”
Lahti, Finland. Studying, freezing, shipping.
Enterprise client work, plus a few things not ready to show.
Shaders, type, and how to say no to good-enough.
Next.js, TypeScript, hand-rolled. Type set in Fira.